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A Breaks Weapon With Hip-Hop Teeth, Zkosta Doesn’t Miss Here
Soniquarium opens 2026 with Zkosta’s Henny In The Soda, a no-nonsense club cut that folds breakbeat snap into a hip-hop-informed strut. The groove is the hook: drums that swing hard, low-end that nudges rather than bludgeons, and a vocal presence that gives it that “Latino Wu-Tang” edge without tipping into novelty. Featuring Coyote, it lands right in that sweet spot between breaks, bass-weight and gritty dancefloor rap energy. Built for DJs who like their rhythms loose, thei


Cosmic disco shimmer and big-room warmth collide on Self Control’s Care 4 U
“Care 4 U” finds South Coast native and Bristol-based DJ/producer Adam Killey channelling a lifetime of music obsession into a modernized Disco, even Pop-leaning House cut that’s impossible to forget. Raised on 1960s records and the folk, Afro and Latin rhythms he absorbed on family trips to music and arts festivals, Adam cut his teeth in teenage bands and on his dad’s four track tape recorder, before the 90s and 00s electronic boom pulled him toward big beat, Balearic groove


Acid Smoke And Jungle Weight Boneyard’s Two-Part Zone Explored
Boneyard’s All Up In My Zone lands as a small act of resistance, a growing zeitgeist. Split over two EPs on Hype & Soul Recordings, the project folds a simple sentiment "no phones, no requests - a return to the simple traditions of the dancefloor" A run of club tools and dub experiments that shout the message loud and clear to anyone not present on the dancefloor. The Club Mixes EP stays closest to the booth. Ki-ley’s remix pushes the vocal into murky, bass driven main-room t
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