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INTERVIEW: Schott & Alicea

Foto del escritor: Automat DiscoAutomat Disco

Volt EP marks the debut collaboration between Schott and Alicea on the newly founded Munich Techno label, Telur. This driving, energetic, and atmospheric channels release Detroit-inspired sounds with a fast-forward intensity.


Volt EP delivers three boomy, hypnotic tracks that capture the raw essence of Techno, crafted for deep immersion on the dancefloor.


We have had the pleasure of interviewing them and this has been the result.


How did you first become involved in the underground electronic music scene?Schott: At my first techno party in 2007 when Chris Liebing was playing.

Alicea: I started going to electronic music clubs when I was 18, but I had already been fascinated by electronic music as a teenager, often listening to it through internet radio stations.


Could you describe your artistic journey leading up to the release of Flowing Dream?

Alicea: I’ve always felt a special connection to atmospheric sounds, especially in Dub Techno and Deep Tech. This music touches me deeply on an emotional level and inspires me. During the pandemic, when people weren’t allowed to dance at my DJ sets, this sound world became a source of comfort for me and helped me through that crisis. 


Your music blends driving techno with atmospheric dub textures—how do you approach balancing these elements?

Dub Techno deserves more recognition—there are so few female producers focusing on this subgenre. For me, it’s all about the chords, paired with effects like reverb, echo, and phaser, which create that warm, atmospheric sound. Dub Techno is the perfect fusion of Techno elements and ambient influences, and I absolutely love it!


What inspired the name Flowing Dream?

Close your eyes and listen to the track, and you’ll understand. To me, it feels like a dream—floating above the clouds, where time moves differently. The track gives me a hopeful yet slightly melancholic feeling. The warm chords flow through your body—that’s why I named it Flowing Dream.


How did the collaboration with Schott for the Volt EP come about?

We’re a couple, and the collaboration happened naturally. Schott is more focused on production, while I was always more into DJing and promotion. But that changed in 2024! Our strengths complement each other perfectly: Schott brings straight-forward Techno into our productions, while I add various, new influences from across electronic music into our tracks. This collaboration reflects both our relationship and our shared passion for music. I’ve started to dive deeper into production this year, and we support each other in the process, which strengthens both our music and our relationship.


The underground scene often thrives on energy and intimacy. How do you channel that in your productions?

We’re part of the underground ourselves. As long-time lovers of the scene, we’ve partied in different cities and countries—whether on a coffee plantation in Colombia or at a techno party in Tunis. Music connects us all, giving us a sense of freedom, community, and shared experience. That’s exactly what we aim to capture in our music. Techno creates a trance-like state that allows us to forget our workweek, our worries, and our fears—at least for a while. It’s not just music; it’s a way of life.


Do you think Munich has influenced your sound as an artist?

Absolutely! Munich is where we grew up musically. The city has a vibrant scene with numerous small and large labels, as well as legendary clubs like Harry Klein, Rote Sonne or Blitz Music Club, which welcome both underground artists and international stars. Our musical roots run deep, inspired by places like the iconic Ultraschall in the ’90s—though we never got to experience it ourselves. Sadly, Harry Klein had to close in 2023 to make way for a luxury hotel. It’s becoming increasingly difficult for clubs to survive, with inflation, rising rents, and other challenges putting pressure on the scene. But we believe Munich will endure! The city’s sense of community and creative energy will help it overcome these obstacles. And no, we have no plans to move to Berlin. We want to represent Munich and show that great things are being created here too.


How do you approach creating a cohesive mood in your DJ sets versus your productions?

A DJ set typically includes 30 to 100 tracks, depending on its length, which makes it easier to integrate a variety of moods and dynamics. Our Volt EP, on the other hand, has a clear narrative arc that showcases different subgenres of Techno. We hope that one day we’ll have enough releases to create an entire DJ set from our own tracks—but who knows! We enjoy producing not only peak-time Techno but also tracks designed for openings or closings. Our goal is to cover all playtimes and create music that works both at festivals and in clubs.



Telur Records is gaining momentum as a label. What excites you most about being part of its early days?

We’ve had the idea of founding a label for a long time, and we’re thrilled to finally bring it to life. It’s exciting to work behind the scenes, become independent, and release our own music. We manage everything ourselves—from the cover artwork to coordinating social media and connecting directly with our fans. Plus, we get to decide what gets released, both for our music and for other artists. This creative freedom is incredibly motivating.


What does “underground” mean to you in today’s Techno landscape?

It’s hard to say—Techno isn’t strictly underground anymore. Big stages at commercial festivals like Tomorrowland are now dominated by Techno. At the same time, the scene has split into many subgenres. The essence of Techno, as it was defined in the early ’90s, remains intact and will continue to do so.

Where I still feel the underground vibe is at queer parties with strict door policies, or at illegal raves and in small, intimate venues. For me, the underground is also defined by an emphasis on awareness and mutual respect within the community. It’s about creating safe spaces where everyone can connect and express themselves freely.



RRSS

Alicea


Schott


Telur Records:

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